100 10334 120 Symphonic Band (SCP) 865 130 Musicianship 140 150 160 170 180 210 01.2 The Arts - Music 211 2.0.1 212 2.0.3 213 2.0.5 214 2.0.6 215 2.5.2 216 2.5.3 220 221 2.5.5 222 2.9.1 223 2.9.2 224 8.0.1 225 9.0.5 226 9.5.1 230 231 232 233 234 235 236 240 241 242 243 244 245 246 250 251 252 253 254 255 256 300 1) What is phrasing and how is it achieved? 300 300 2) How is propper blend and balance achieved within an ensemble? 300 300 3) How is communication established between performers and the conductor both 300 within rehearsal and in a performance setting? 300 300 4) What is musical form? 300 300 5) What is the historical background of the chosen performance repitoire? 300 300 400 This unit is meant to bring Symphonic Band up to a higher level of musicianship. This unit ill focus on techniques to produce a quiality ensemble blend and balance, conductor/ ensemble communication, phrasing/appropriate breathing placements, the elements of form within a piece, the historical background of performance repitoire, and the function of a students own part within the ensemble (melody/accompianiment) 400 500 1) Students will articulate the concept correct ensemble balance and self asses balence issues 500 500 2) Students will perform music with sensitivity to ensemble blend and balance 500 500 3) Students will actively communicate with conductor through music performance. 500 500 4) Students will react to conductor cues of dynamics, articulation, tempo, time , style, and tempo changes, and prepatory beat. 500 500 5) Students will demonstrate proper musical phrasing 500 500 6) Students will identify elements of form in ensemble repitiore 500 500 7) Students will discuss historical content of music 500 500 8) Students will adjust own dynamic, style, balance within the ensemble based on their understanding of Function of ones' own part in an ensemble (melody,accompianiment) 600 Students will rehearse with the full ensemble 2-3 times per week: During this rehearsal, students will adjust own playing to: 600 600 1) Ensemble balance 600 600 2) Conductor/ensemble communication/ 600 Awareness and reaction to conductor's style 600 600 3) Phrasing 600 600 4) Elements of form 600 600 5) Historical context of music 600 600 6) Function on ones' own part in an ensemble (melody,accompianiment) 700 Students will be assessed in following fashion: 700 700 1) Playing Tests 700 700 2) Written tests 700 700 3) Sectional and full ensemble observation 700 700 4) playing quintets/quartets during rehearsal 700 700 700