100 19005 120 Broadcast Production Technology (SCP) 793 130 unit 5 - Video Editing 140 3 weeks 150 11-12 160 170 2 180 210 09.0 Technology Education 211 2.9.1 212 3.9.1 213 3.9.2 214 3.9.4 215 3.9.5 216 4.9.5 220 09.0 Technology Education 221 5.9.1 222 7.9.2 223 7.9.8 224 7.9.11 225 2.9.3 226 7.9.10 230 23.3 Language Arts - Communicating with Others 231 2.9.1 232 2.9.2 233 1.9.3 234 235 236 240 01.4 The Arts - Visual Art 241 1.9.3 242 6.9.3 243 6.9.4 244 245 246 250 04.2 LRIT - Computer Technology 251 1.9.1 252 2.9.7 253 3.9.1 254 255 256 300 1. What is Broadcast Technology? 300 300 2. What makes up a quality production? 300 300 3. What is non-linear editing? 300 300 4. What constitutes good editing? 400 What is linear and non-liner video editing and the advantages of each? 400 400 What are the different video formats available in th lab? 400 400 What is the difference between NTSC and PAL? 400 400 How do you digitize and edit a video with non-linear editing? 400 400 What are the different physical formats of saving in our lab for video? 400 400 500 Students in Broadcast Production Technology will develop the ability to: 500 500 --Use the non-linear video editing system, 500 500 --Digitize a video, 500 500 --Evaluate where to edit a video for content, 500 500 --Produce transitions, effects and blends with a non-linear system, 500 500 --Add titles to a video, 500 500 --Output the finished edited piece onto different media formats. 600 All students will: 600 600 --Be instructed in the digitizing process, 600 600 --Be able to use the non-linear software and be exposed to various editing techniques and editing decisions, 600 600 --Be able to deliver a finalized, packaged video to a client in VHS, DVD, video CD, MPEG 2, and Real media for the web. 600 600 700 The student will demonstrate proficiency in the digitizing process. 700 700 The student will demonstrate how to edit a video on the non-linear system. 700 700 The student will deliver a final piece in any format available in the lab. 700 700 An example of a grading rubrics is as follows: 700 700 As you get more involved with production pieces, it becomes important on how you frame the subject, capture the light and connect with the audio. In this exercise, you will take the 15 elements of composition (in passed out modules) and apply them to video. The video can be in the format of documentary, comedy, news, or advertisement (infomercial). The subject of the piece will be mp3 players. 700 Planning sheets, storyboards, scripts, prop sheets, permission slips are a must. It doesn't matter if there are minor changes between your shooting outline and your final project; the idea is to think through your story in the pre-production phase. 700 Sound will be music (your choice, within reason) from a CD that you will bring to class and play with your videotape. You can also use location sound (nat sound) for this assignment along with only music. 700 TIME: 5 minutes minimum to maximum of 10 minutes 700 After this assignment, you will be submitting a fully edited project, including bars/tone, counting leader, and black video in avi format and in project folder. All paperwork is to be placed in my folder on desk. 700 700 700 The purposes of this exercise are as follows: 700 700 1. Learn how to develop a preplan, script , big idea sheet 700 2. Learn how to set shots (shoot to edit) 700 3. Learn how to add sound tracks 700 4. Learn how to use different tools specific to the program 700 5. Learn how to edit and log video 700 6. Learn how to prepare set and props 700 700 700 You will be evaluated on the following points: 700 700 1. Description of project and storyboard(s), preplan, prop, and permission 30 points _____ 700 2. Clear audio 700 (No unwanted background noise, even levels between scenes, etc.) 20 points _____ 700 3. Crisp video (no washouts, focus, composition, etc.) 20 points _____ 700 4. Time code sheet where compositions are referenced 10 points _____ 700 5. Proper time 10 points _____ 700 6. Saved in AVI format on video server 10 points _____ 700 700 700 700 800 Field trip to a digital editing facility 820 Industry publications such as VIDEO MAKER. 820 820 Professionals in the field 820 820 Multimedia lab 820 820 Studio equipment 820 820 Internet resources 820